11 am to 5 pm
noon - 5 pm
Statement for ExhibitionDecember2009
I mistrust the presumption that interpretation is the effective response to art.
It may be that the adaptive function of all the arts is simply to get people to look and listen longer and more carefully and completely.
I make things I like to look at.During the process of making them I look hard at them.This experience is pleasurable.And, when I feel they are complete I continue to look at them and the pleasure is mixed with satisfaction and joy.
Then it may occur to me that I would like to see what a variation on what I have done would look like.So the process continues.
I want to do things with images and designs that have certain qualities - to manipulate and juxtapose them with other forms, colors, and materials.But I don’t want to be bothered to make such images or designs myself.It can be tedious.So, I use images that I have made before for other purposes or images and designs manufactured by others.
Alfombras multiusos means utility or multipurpose rugs.
click on image for an enlargement, price, size and medium.
After an early interest in landscape and the figure Tony Thompson began his career as an
abstract painter exhibiting in the Boston and New York galleries. Thompson is still
passionate about abstract painting but when he moved to upstate New York he was
reinspired by the local landscape, the same that had been painted by the Hudson River
School painters. Thompson lives in Hudson with his artist wife, Margaret Saliske.
Institute of Contemporary Art, Boston
Museum of Modern Art, New York
Allersma State Museum, Groningen, Netherlands
Carrie Haddad Gallery, Hudson
Hoorn-Ashby Gallery, NYC
Dartmouth College, Rhode Island School of Design (BFA)
Cornell U. (MFA)
New School for Social Research (MA Cognitive Psych.)
Awards and Fellowships
Fellowship Fondation des Etats-Unis, Paris
Artists Fellowship State of Mass. New York
State Arts Council CAPS Grant.
For about the last ten years I have been trying to combine what I love about landscape
painting with what I love about abstraction. The attempt is to combine, without vitiating
either, the concrete objectness of a very physical abstraction with the illusionism and rich
color of landscape. The project has produced pure landscapes and abstract paintings as
well as combinations of both in varying proportions.