Richard EdelmanClick on image for an enlargement and additional information. Beneath Canal
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Armory, Lower Manhattan, 1986 |
Beaver Street, 1981 |
Citibank Building, Wall Street, 1979 |
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Criminal Courts Building, 1984 |
Hook & Ladder Company #6, 1983 |
Imagination, Tribeca, 2006 |
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Liberty Place, 1981 |
Memorial, William Street, 2004 |
Mill Lane, 1981 |
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State Supreme Court Building, 1984 |
Still-life at Standard-Chartered Bank, 1986 |
The Irving Trust Building, Wall Street , 1981 |
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U.S. Customs House at Bowling Green, 1985 |
Berlin
These black and white architectural photographs, taken from 1986 to 1999, detail aspects of Berlin — both before and after the wall came down. They reflect the belief that the most compelling characteristics of a civilization can be seen in its architecture, charged by the spirit of human events. The history of Berlin has had a wrenching impact that has monumentalized the most contradictory impulses of European culture. The photographs examine this somber legacy.
The images were made with large format view cameras; permitting 24"x20" - 44"x66" prints expressive with tone and detail. Most are made utilizing Polaroid positive/negative film which makes possible the processing and examination of work on location.
Prints of these photographs are in the collections of The Metropolitan Museum of Art (NYC), Bibliothèque Nationale (Paris), The Canadian Centre for Architecture (Montreal), Polaroid International Collection (Offenbach, Germany) and Everson Museum of Art (Syracuse, NY).
Artist Bio
Richard Edelman is a graduate, in photography, of the Rochester Institute of Technology, with a graduate degree from Pratt Institute. He received fellowships from CAPS (NY Creative Artists Public Service Program) in 1982 and from the Center for Photography at Woodstock in 1985 & 2002.
Richard's photographs are in the collections of the Metropolitan Museum of Art (NYC), Canadian Centre for Architecture (Montreal), Brooklyn Museum (NY), Polaroid International Collection (Offenbach), Bibliothèque Nationale (Paris) and Everson Museum of Art (Syracuse, NY)
He was a member of the faculty at the New School and has also taught photography at the School of Visual Arts and International Center for Photography, all in New York City.
