Lependorf + ShireClick on image for an enlargement and additional information. Shirokuro
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Shirokuro XIV, 2009 |
Shirokuro XI, 2006 |
Shirokuro XV, 2009 |
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Shirokuro-I, 2006 |
Shirokuro XII, 2008 |
Shirokuro-II, 2006 |
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Shirokuro-III, 2006 |
Shirokuro-IV, 2006 |
Shirokuro-V, 2006 |
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Shirokuro-VI, 2006 |
Shirokuro-VII, 2006 |
Shirokuro-VIII, 2006 |
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Shirokuro-IX, 2006 |
Shirokuro-X, 2006 |
Horizon Fields 
landscapes
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Horizon Fields L, 2010 |
Horizon Fields LI, 2010 |
Horizon Fields LIV, 2010 |
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Horizon Fields LV, 2010 |
NHF - I, 2004 |
NHF - XLI, 2008 |
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NHF - XLIII, 2008 |
NHF - XLV, 2009 |
NHF - XLVII, 2009 |
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NHF - XLVIII, 2009 |
NHF - XXXIX, 2008 |
NHF - XXXVII, 2008 |
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NHF LIII, 2009 |
NHF XLIX, 2009 |
NHF XXXVIII, 2008 |
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NHF - II, 2004 |
NHF - III, 2004 |
NHF - IV, 2004 |
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NHF - V, 2004 |
NHF - VI, 2004 |
NHF - VIII, 2004 |
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NHF - XXV, 2005 |
NHF - XI, 2005 |
NHF - XII, 2005 Sold |
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NHF - XIV, 2004 |
NHF - XV, 2004 |
NHF - XVI, 2004 |
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NHF-XVII, 2004 |
NHF-XVIII, 2004 |
NHF - XXIII, 2005 |
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NHF - XXIV, 2005 |
NHF-XXVII, 2006 |
NHF XXX, 2007 |
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NHF XXXI, 2007 |
NHF XXXIII, 2007 |
NHF XXXVI, 2007 |
Other work
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Flora I, 2008 |
Flora II, 2008 |
Illuminata I, 2008 |
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Illuminata II, 2008 |
Passages 
Artist Statement
The foundation for our work is the photographic image with the optimal quality of light. Selecting the interplay of composition, form, rhythm, and line is the focus for our imagery. Integrating these elements in the computer is the next stage in the process of merging our visual and intuitive sensibilities toward a completed vision. Different perceptual effects arise from recording the world in photographs as opposed to interpreting it in paint: Our goal is not to emulate painting. Conceptual work in all mediums has blurred the line between photographers who make art and artists who use photography. The digital medium has established itself in the natural continuum of art history and the ongoing relationship of art with technology. This work forces us to consider a more serene world while reminding us that no contemporary experience is unmediated; technology touches everything. The use of the computer as a tool does not create; it assists creativity resulting in a synthesis of disciplines to be realized as a limited edition. The combination of archival pigment inks on Crane Fine Art paper framed with archival mattes and backboards insures permanence in excess of 175 years. The creative process will always remain in the mind and the soul of the artist. Shelly Inez Lependorf
Stan Shire