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The Gallery

   
 

WELCOME...  to the April/May 2004 Exhibition. On display are Sample pieces shown at the Gallery in our On-Line Exhibit. For a detailed look, please select the Artist Links to the left of this page.

Join us for a short tour of the current Exhibit. ( below )


Spring Collection:



Spring Collection show at CARRIE HADDAD GALLERY APRIL 1 to MAY 9

Springtime at the Carrie Haddad Gallery brings the work of five fresh, bold artists: painters Jenny Nelson, Ragellah Rourke, Ron Gee, and Lionel Gilbert, Stan Lichens plus sculptor Peter Hoffman. Works in the show span over thirty years, starting with Lionel Gilbert, who began painting in 1924. Within the span of artists in the show a span of artistic influences is apparent, dictating the development of abstract art from the influential movements of the late 19th century and early 20th century.

Lionel Gilbert’s paintings from the 70’s up to the present draw upon Picasso’s Cubist still lives as well as the Impressionist works of Cezanne and Monet. Gilbert’s "white paintings" in particular are reminiscent of Monet’s paintings of waterlilies, consisting of bold strokes of bright yellow and pale blue which peek through a field of white.

The influence of Cubism is also apparent in Peter Hoffman’s polychromatic wall sculptures. A woodworker as well as a sculptor, Hoffman assembles his abstract pieces from scraps of wood he has accumulated over many years. The finished pieces are brightly painted, an element Hoffman considers as important as the physical form of the work. Since moving to Columbia County from New York City, Hoffman has seen a transition in his work from repeated geometric patterns to a more spontaneous, organic look which he refers to as "ordered chaos."

Ragellah Rourke’s three-dimensional mixed media paintings consist of paint on plaster on wood panel. The lines and patterns she paints and gouges into the surface of her paintings are inspired by architectural structures and forms she sees in nature. Her palette represents both of those sources as well, ranging from rich greens and browns to gray and black. The heavy lines which crisscross her canvases and the earthy palette also reveal a debt to the early Cubism of Picasso and Braque. The work of all three artists is a combination of abstraction and figuration; the objects depicted in each painting are a suggestion that appears only after minutes of study.

Jenny Nelson’s new abstract works are concerned with light and color, carrying on a tradition that began with the Impressionists’ obsession with light on the landscape. Pale pinks and greens predominate, and dim shapes appear through layers of paint. Phyllis Gilbert of the Woodstock Times has praised her work, saying, "these strong, expressionistic oils show a respect and love of the medium; the abstractions are stimulating and yet gentle, speaking of deliberation, observation, and analysis."

In the Upstairs Photography Gallery, Rhinebeck photographer Stan Lichens exhibits a series of figures and animals just recently completed. Lichens uses a very delicate process in his work allowing him to hand-color platinum prints on tissue paper using silver and gold leaf.

The Spring Collection will be on exhibit from April 1 through May 9, and an opening reception will be held at the gallery Sat., April 3 from 6 to 8pm. All are welcome to enjoy refreshments and meet the exhibiting artists. The gallery is open Thurs. through Mon. from 11 to 5pm and is located at 622 Warren Street in Hudson, NY. For more information, call the gallery at (518) 828-1915 or visit our website at www.carriehaddadgallery.com.

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SPRING COLLECTION EXHIBIT AT CARRIE HADDAD GALLERY

 
 

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